Author: Miriam Drori

Author, editor, attempter of this thing called life. Social anxiety warrior. Re-Connections, a collection of short stories, published with Ocelot Press, 15/10/2025.

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Books

2015 A to Z Challenge: I is for IDEAS, IMAGES and IMAGINATION

A-Z Challenge 2015You start with ideas. A period in history, a place, an event plants an idea in your mind. How do you make it lead to a novel?

You start to research. Images form in your mind. You see a captain standing on the deck of a ship, his blond beard flying in the wind*. You know what he’s wearing – coat, boots, hat. You know what he has in his pockets. You live most of your life along with him and all the other characters.

Then, when you know all your characters well enough, you use your imagination to weave a story around them.

Story weaving
Weaving a story around the characters

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* http://www.caroclarke.com/historicalfiction.html

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Books

2015 A to Z Challenge: H is for Historical Research

A-Z Challenge 2015We modern day authors are so lucky. Whatever we might wonder, almost any question we want to ask will have been answered on the Internet.

Which songs were popular in England in January, 1922?
What was the world’s first postage stamp?

You can find all the answers at the touch of a button or two.

BUT

Sometimes there are mistakes on the Internet. Sometimes you need more detail than you can find on the Internet. The Internet is not enough. It can be very helpful and it can set you on the right path, but it doesn’t replace detailed and well-researched

BookBOOKS.

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Books

2015 A to Z Challenge: G is for Guessing

A-ZChallenge2015So you’ve done your research, you’ve asked experts and still there are things you don’t know.

Why did Charles Dodgson (Lewis Carroll) fall out with the Liddell family?
How did the cliff dwellers of Montezuma Castle manage their days?

You need to answer these questions, but no one knows the answers. What do you do? You make informed guesses based on the information you have been able to discover. And there’s nothing wrong with doing that, because this is fiction.

I asked Nancy Jardine, whom I interviewed here and who writes – amongst other genres – historical novels set in Celtic/Roman Britain, for one example of when she had to make an informed guess. This is her response:

I’ve had to do a fair bit of that in my Celtic Fervour Series, the reasons being that the only source materials for the times are Greek or Roman – and biased at that. The Celts left no written evidence at all – save what’s found on stone inscriptions. In Book 3 of the series, I have a large battle at a place named Beinn Na Ciche (Gaelic for a hill range that’s nine miles from my home). Bennachie, as it’s currently called on the map, is only one possible site earmarked by historians for a battle between Romans and Celts that the Roman historian Tacitus wrote about. The thing is that Tacitus may only have been attempting to make his father-in-law Agricola seem like a greater general than he really was. None of the other Scottish contender sites – for what was later named the Battle of Mons Graupius by early Victorians – have provided conclusive evidence. I made my ‘informed’ choice and decided that the topographical information given by Tacitus matched the landscape around Bennachie, but even more important for me was that in 2006 local archaeologists decided that the Romans had had some 30,000 soldiers in Durno – a marching camp opposite the fooothills of Bennachie. The number of soldiers (which is drawn from archaeological evidence and not written evidence) was sufficient for me to use the site in my novel. In fact most of what I’ve written as historical facts on Celtic life is drawn from purely archaeological sources and is therefore all interpretative.
Thank you for this, Nancy. It shows a lot about what a historical novelist has to do – research, decision-making and more – before starting to write.
Bennachie
Bennachie
Nancy also sent me this photo, which “was taken from near the Durno camp looking over to the hilltop named ‘The Mither Tap’ – the most distinctive part of Bennachie range.”
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Holidays Israel

Not Passing Over Passover

I’m interrupting the flow of daily A-Z posts for two reasons.

The first is that I have paid a (blog) visit to Ailsa Abraham at Bingergread Cottage. I had so much to say (prompted by her hospitality, or was it something else?) that she divided it into two parts: one and two.

The second reason is to say something about the festival of Passover. I don’t think I’ve ever posted anything about it, because it always comes at the same time as the A-Z challenge. There is so much I could say, but I’ll just tell you about the story behind our Seder plate.

Seder PlateThe word seder means ‘order’ or ‘procedure.’ In this case, it refers  to the ceremony and festive meal observed at the start of the week-long festival. On the Seder plate are six different items of food that symbolise aspects of the Passover story: the exodus from Egypt.

We never had a special plate for this until we inherited this one when my mother died in 2011. But I knew the story of how my parents had acquired it.

They were on holiday in Ilfracombe in Devon one year and happened to spot this beautiful plate adorned with pictures of the ten plagues in the window of an antique shop. It wasn’t expensive, so they went in to enquire. The underside of the plate shows that it was made in England by Royal Cauldon. The shopkeeper had no idea what it was. There were dishes to match the plate. Unfortunately, two of them were broken and had been glued together (or did my mother do the glueing – I’m not sure). Also, some dishes are missing while others are duplicated.

Seder plate with dishesBut they bought the set anyway, and now we use it every year. And each year we comment on the mistake in the Hebrew. One of the food items is salt water. In Hebrew, the word for water is always plural and the adjective (salted) has to agree with the noun. Here it doesn’t.

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Books

2015 A to Z Challenge: F is for FICTION

A-ZChallenge2015Never forget that what you have written is fiction. If people get too serious about how real the story is and suggest things might not have happened that way, remind them they didn’t happen in any way because the story is fictional. However much you tried to be true to history, the fact remains: it’s made up.

InappropriateFight

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Books

2015 A to Z Challenge: E is for EXPERTS

A-ZChallenge2015There is a limit to the amount of research an author can do for a novel. There will always be specialists who know more about the era and the place than you do.

So ask them. Find an expert who is willing to help by answering all your outstanding questions and hopefully providing information that you hadn’t even thought of asking about.

Presentation

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Books

2015 A to Z Challenge: D is for DIALOGUE

A-ZChallenge2015How do you decide on the language to use in dialogue? Clearly modern expressions would be out of place. But the language of the time is also inappropriate because readers wouldn’t understand it, even if you researched it enough to be able to write it.

As with all these dilemmas, you have to find the right balance between these two approaches.

Historical Fiction - Dialogue

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Books

2015 A to Z Challenge: C is for CRAFT

A-ZChallenge2015What does the craft of writing a historical novel involve?

  • Creating an absorbing story set in the past, yet satisfying for modern readers. I think you have to constantly balance those two seemingly opposing requirements. Sometimes it’s necessary to make characters more “modern” than they really are, to have them make decisions based on currently logic rather than steeping them in religion and superstition. Otherwise readers will have a hard job understanding their motives.
  • Bringing the era to life. You have to set readers in the period and place of the novel and then move them forward, so that they feel as if they are really there.
Norway: Trondenes Museum
Norway: Trondenes Museum

P.S. I will reply to your comments, but it might take a couple of days.

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Books

2015 A to Z Challenge: B is for BACKDROP and BACK STORY

A-ZChallenge2015In any novel there will be some back story. Most characters haven’t just been born. They had a life before the novel began. And even one who has just been born has parents with back stories that will impact on the newborn. Some of that previous life will be relevant to the current story and needs to be told. It is also important to set the scene, whether indoors or out, to give readers a feeling for the setting (or settings) of the novel in place and time.

Even more so for a historical novel. Most readers will be unaware of the norms, limitations and customs that shaped everyday life in the specific time period. They won’t know what places looked like before the advent of cars, fridges and electricity wires.

Somewhere in India
Somewhere in India

It is the job of the writer to tell them what life was like in those days.

BUT

Readers don’t want information dumped on them. The backdrop doesn’t have to be described at once and the back story, however interesting, doesn’t move the current story along. Whatever can be shown during the story shouldn’t be told upfront. This is true of all fiction; in historical fiction there are more unknowns, making the avoidance of infomation dumping more difficult.

P.S. I’m looking forward to reading your comments. It might take me three days to reply, but reply I will.

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Books

2015 A to Z Challenge: A is for ANACHRONISMS

A-ZChallenge2015Anachronisms

An anachronism is before its time – usually in a bad way. It’s a thing that belongs to a period other than the one in which it exists or is attribed to. Usually we think of anachronisms as being misplaced. We think the author hasn’t done their homework. Unless they have been placed there on purpose for comic effect.

The Flinstones, for example, brought twentieth century issues into the lives of a Stone Age family.

But anachronisms are not suitable for serious historical novels.

Not all anachronisms are obvious. I don’t think anyone would make the mistake of having a character switch on a light in the Middle Ages. But would you know not to put a xylophone in an orchestra before 1874?

Anachronisms are not only wrong as actual things before their time, but also in similes and metaphors. As Chuck Sambuchino writes: “A fierce windstorm in a novel set in ancient Rome should not sound like an onrushing train.”

This is one reason why research is essential. And editing.