(Continued from Klimt and Judith I)
The brochure continues:
“Perhaps influenced by the 1907 performance of Richard Strauss’s opera, Salome, Klimt returned to the subject of the femme fatale in 1909, when he painted Judith II. Here again, critics mistakenly identified the subject as Salome. Indeed, this Judith appears threatening and monstrous: her face and claw-like fingers instil fear, and her dress engulfs Holofernes’ head, symbolising his loss of identity. As in Judith I, the artist’s counter-decapitation of Judith is suggested by the two white stripes cutting across her neck.
“Klimt’s depictions of Judith and Holofernes deviate from the traditional narrative and express the ambivalent attitude towards women in fin-de-siècle Vienna. In art as in society, women were compartmentalised into one of two categories – vulgar prostitute or untouchable ideal creature. Sexual hypocrisy was rampant: many upper-class men carried on affairs with working-class young women, prostitution flourished and pornography developed into a thriving industry. Women’s unprecedented demands for political and social emancipation, the Secessionists’ call for sexual liberation and Freud’s writings on the unconscious all heralded a revolution in traditional perceptions of sexuality and guilt. However, the new, sexually-liberated life-style was seen by many men as a threat to their identity and also brought with it a gnawing fear of venereal disease. It was this terror which gave birth to the image of female lover turned insatiable predator – the femme fatale, epitomised in Klimt’s Judith I.”
The Women Friends is a series of novellas written by Emma Rose Millar and Miriam Drori, and based on the painting of the same name by Gustav Klimt. The first in the series, The Women Friends: Selina, will be published by Crooked Cat on 1st December, 2016.
Author of the Day
Sarah Louise Smith writes chick-lit. Her four novels to-date have all been published by Crooked Cat and one of them, Izzy’s Cold Feet, is free to download from Amazon for one day only. Sarah can be found all over the Internet, sometimes with Arwen the puppy.
One reply on “Klimt and Judith II”
Reblogged this on Crooked Cats' Cradle.